Description

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In the years between the end of World War II and the mid-1950s, the popular culture of today was invented in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics in this engrossing history.

David Hajdu is the author of Lush Life: A Biography of Billy Strayhorn and Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña. He is the music critic for The New Republic, and he teaches at the Columbia Graduate School of Journalism.

An Eisner Award Nominee
A New York Times Book Review Notable Book
A San Francisco Chronicle Best Book of the Year
A Christian Science Monitor Best Book of the Year
A St. Louis Post-Dispatch Best Book of the YearA Los Angeles Times Favorite Book of the YearA Publishers Weekly Best Book of the Year
In The Ten-Cent Plague, David Hajdu looks at the rise and fall of comic books, the art defined by creativity, irreverence, and suspicion of authority. In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created—in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress—only to resurface with a crooked smile on its face in Mad magazine.

The Ten-Cent Plague shows how—years before the rock and roll music of the 1950s—comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.  Hajdu aims to revise common notions of popular culture, the generation gap, and the divide between “high” and “low” art. "Horror and other raffish comics, and the campaign to stamp them out, are the subject of David Hajdu's smart new book, The Ten-Cent Plague . . . Hajdu has consulted surviving artists and writers from the period, many of whom were unable to work again in the comics business after the crackdown. The result is a stylish, informed account that shows how easy it is to think fuzzily about other people's pleasures . . . Hajdu evokes the era colorfully and wittily."—Dennis Drabelle, The Washington Post Book World

"The Ten-Cent Plague is the third book by David Hajdu to take a subject suitable for fans' hagiography and turn it into something of much wider interest . . . this book tells an amazing story, with thrills and chills more extreme than the workings of a comic book's imagination."—Janet Maslin, The New York Times

"The meticulously researched evidence of how easily America can be gulled into trashing its defining ideals in the name of Americanism—as if we needed any reminders—are among the highlights of Hajdu's book . . . The Ten-Cent Plague is a worthy addition to the canon of comic-book literature."—Ron Powers, The New York Times Book Review

"A lively read, The Ten-Cent Plague digs deeply into the social context surrounding the 'comic-book panic' of the first half of the 20th century . . . The greatest strength of The Ten-Cent Plague is the breadth of the author's primary research, particularly his interviews with 'more than 150 comic-book artists, writers, editors, publishers, readers, and others.' The stories these men and women tell are by turns hilarious, heroic, horrific, and heartbreaking. I've read dozens of versions of the 1954 tale, but more than any other writer, Hajdu allows us to understand what it was like for the people who worked at producing these not-so-funny books . . . Hajdu's book expands our understanding of the personal consequences of 'the great comic-book scare.'"—Gene Kannenberg, Jr., The Chronicle of Higher Education 

"Horror and other raffish comics, and the campaign to stamp them out, are the subject of David Hajdu's smart new book, The Ten-Cent Plague (one thin dime being the price of the average comic in those days). Hajdu has consulted surviving artists and writers from the period, many of whom were unable to work again in the comics business after the crackdown. The result is a stylish, informed account that shows how easy it is to think fuzzily about other people's pleasures . . . Hajdu evokes the era colorfully and wittily."—Dennis Drabelle, The Washington Post Book World

"The Ten-Cent Plague is David Hajdu's affectionate yet outraged account of this important but little-remembered segment of cultural history . . . The Ten-Cent Plague is an admirable account. Hajdu writes well and has performed the enormous service of interviewing more than 150 comic-book publishers and creators, which coupled with his archival research enabled him to produce a lively and nuanced portrait of a fascinating aspect of American culture . . . By and large free of meditation and moralizing, The Ten-Cent Plague keeps the focus on the remarkable men and women who produced the comics, the purveyors of junk science and Puritanism who hounded them, and the elected leaders who adopted egregiously unconstitutional legislation to drive the comic-book publishers out of business."—Daniel Akst, The Boston Globe 

"As David Hajdu reports in his vivid and engaging book The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America, more than twenty publishers were putting out close to six hundred and fifty titles a month. Eighty to a hundred million comic books were sold every week; according to contemporary reports, the average issue was passed along to six or more readers . . . It seems plausible to say, as Hajdu does, that in the early nineteen-fifties comic books reached more people than magazines, radio, or television did. Most of those people were children."—Louis Menand, The New Yorker 

"As David Hajdu's new book, The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America, shows, there was a time when comics were universally regarded as the boogeyman of literature, an epidemic-like scourge that was believed to be the major cause of juvenile delinquency, illiteracy, bad grades, mass idiocy, and what was understood to be the general moral decay of society. Comic books were not only blamed for warping the fragile young minds of children, they were all but accused of ruining their eyesight and stunting their growth. There are obvious parallels to the Red Scare of the same period, as Mr. Hajdu shows. Yet there were also different forces at work: Mr. Hajdu convincingly makes a case that comic books, long before pop music, were the first form of American culture created exclusively for children. When the

About the Author

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David Hajdu is the author of Lush Life: A Biography of Billy Strayhorn and Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña.

Praise for The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America…

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"Marvelous . . . a staggeringly well-reported account of the men and women who created the comic book, and the backlash of the 1950s that nearly destroyed it....Hajdu’s important book dramatizes an early, long-forgotten skirmish in the culture wars that, half a century later, continues to roil."--Jennifer Reese, Entertainment Weekly (Grade: A-)

"Incisive and entertaining . . . This book tells an amazing story, with thrills and chills more extreme than the workings of a comic book’s imagination."--Janet Maslin, The New York Times

"A well-written, detailed book . . . Hajdu’s research is impressive."--Bob Minzesheimer, USA Today

"Crammed with interviews and original research, Hajdu’s book is a sprawling cultural history of comic books."--Matthew Price, Newsday

"To those who think rock 'n' roll created the postwar generation gap, David Hajdu says: Think again. Every page of The Ten-Cent Plague evinces [Hajdu’s] zest for the 'aesthetic lawlessness' of comic books and his sympathetic respect for the people who made them. Comic books have grown up, but Hajdu’s affectionate portrait of their rowdy adolescence will make readers hope they never lose their impudent edge."--Wendy Smith, Chicago Tribune

"A vivid and engaging book."--Louis Menand, The New Yorker

"David Hajdu, who perfectly detailed the Dylan-era Greenwhich Village scene in Positively 4th Street, does the same for the birth and near death (McCarthyism!) of comic books in The Ten-Cent Plague." --GQ

"Sharp . . . lively . . . entertaining and erudite . . . David Hajdu offers captivating insights into America’s early bluestocking-versus-blue-collar culture wars, and the later tensions between wary parents and the first generation of kids with buying power to mold mass entertainment."--R. C. Baker, The Village Voice

"Hajdu doggedly documents a long national saga of comic creators testing the limits of content while facing down an ever-changing bonfire brigade. That brigade was made up, at varying times, of politicians, lawmen, preachers, medical minds, and academics. Sometimes, their regulatory bids recalled the Hays Code; at others, it was a bottled-up version of McCarthyism. Most of all, the hysteria over comics foreshadowed the looming rock 'n' roll era."--Geoff Boucher, Los Angeles Times

"A compelling story of the pride, prejudice, and paranoia that marred the reception of mass entertainment in the first half of the century."--Michael Saler, The Times Literary Supplement (London)